I read Emma
Donoghue’s novel Room last year, and
was surprised by how much I enjoyed it. Well, ‘enjoyed’ isn’t the right word
for a novel about abduction and rape told through the eyes of the resulting
child, but I did find it gripping, original and very touching. The Sealed Letter’s blurb, however,
promised “a delicious tale of secrets, betrayal, and forbidden love”, based on
real-life events in Victorian England, so I was expecting something very
different here.
The central
character, Emily ‘Fido’ Faithfull, bumps into Helen, an old friend she’s lost
contact with, and gets drawn into Helen’s
unhappy marriage and her affair with an army officer. Despite her reservations,
Fido’s unspoken but deep-seated love for Helen leads her to become
irrevocably embroiled in ensuing events.
Donoghue
wrote this novel in the present tense, which always jars a little with me, but
I got used to it pretty quickly. I’m still not convinced that the present
tense and the modern, direct style of language used are completely successful
in an historical novel – while the terminology and social assumptions give a good
Victorian atmosphere, I personally find it more effective to have a novel
written in the style of the time period in which it’s set.
The Sealed Letter is told alternately
from the viewpoints of Fido, Helen, and Helen’s husband Harry, and Donoghue
uses this very effectively to portray alternative perspectives on the same
events and to get a different narrative voice for each character. The
treatment of ambiguous sexuality is subtle and effective, and this novel manages
to turn an historical court case into a very personal and engaging view of an
unhappy marriage.
This is a very readable window into Victorian life, especially the unequal legal conditions that made
the lives of women difficult, and, as long as you don’t mind the present tense
too much, is well worth giving it a try if you are a fan of historical fiction.
Next up: Dark Fire, by C J Sansom
Next up: Dark Fire, by C J Sansom
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